Skywalker Sound’s Benjamin A. Burtt, Steve Boeddeker, and David C. Hughes talk with writer Jay Stobie about their team’s role in bringing this musically-charged, supernatural period piece to life.
“I love that Ryan [Coogler] is a student of film in every aspect,” Burtt recalls. “We’ve been working with him on and off for a decade, and there’s a trust between us. We want to end up where he envisions a movie going, but he gives us freedom to use our best judgment for what we think a scene needs. He’s open to opinions and fresh takes.” Reflecting on their rapport with Coogler, Boeddeker concludes, “The Skywalker-Sundance connection made this relationship happen.”
Read the full story on Skywalker Sound’s Medium page.
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Congratulations to all of the 2024 Skysound MPSE Golden Reel and Cinema Audio Society Award winners!
MPSE Golden Reel Awards:
Outstanding Achievement in Sound Editing – Broadcast Short Form
WINNER – The Mandalorian: “The Return”
Disney
Supervising Sound Editors: Trey Turner, Matthew Wood
Sound Designer: David W. Collins
Sound Effects Editors: Luis Galdames MPSE, Kevin Bolen MPSE
ADR Editors: Brad Semenoff MPSE, Ryan Cota MPSE
Supervising Foley Editor: Frank Rinella
Foley Editors: Joel Raabe, Alyssa Nevarez
Foley Artist: Shelly Roden MPSE
Outstanding Achievement in Sound Editing – Broadcast Animation
WINNER – Star Wars: The Bad Batch: “Faster”
Disney
Supervising Sound Editors: David W. Collins, Matthew Wood
Sound Designer: David W. Collins
Sound Effects Editors: Justin Doyle, Kevin Bolen MPSE, Kimberly Patrick
Supervising Foley Editor: Frank Rinella
Foley Artists: Kimberly Patrick, Margie O’Malley, Andrea Gard
Outstanding Achievement in Sound Editing – Feature Effects / Foley
WINNER – Oppenheimer
Universal Pictures
Supervising Foley Editor: Christopher Flick
Outstanding Achievement in Sound Editing – Non-Theatrical Animation
WINNER – The Monkey King
Netflix Animation
Supervising Sound Editor: Eric A. Norris MPSE
Sound Designer: Tim Nielsen
The full list of 2024 MPSE Golden Reel Award winners here
Cinema Audio Society Awards
Outstanding Achievement in Sound Mixing – MOTION PICTURES – LIVE ACTION
WINNER – Oppenheimer
Re-Recording Mixer – Gary A. Rizzo CAS
Outstanding Achievement in Sound Mixing – MOTION PICTURES – ANIMATED
WINNER – Spider-Man: Across the Spider-Verse
Re-Recording Mixer – Michael Semanick CAS
Re-Recording Mixer – Juan Peralta
The full list of 2024 CAS winners here
A Celebration of Craft will honor Skywalker Sound’s Leslie Ann Jones, a seven-time GRAMMY® winner and the first woman Chair of the Recording Academy’s Board of Trustees (1999-2001), who has spent over 40 years in the industry as a recording and mixing engineer and record producer. The event will also salute the year-round work of the Producers; Engineers and Songwriters; Composers Wings and shine a light on the people working behind the scenes to create the year’s best musical works.
Skywalker Sound has done it again! Congratuations to the 2024 Golden Reel Award Nominees!
Nine projects are in the running for Outstanding Achievement in Sound Editing in five Categories.
The 71th MPSE Golden Reel Awards will be held at Wilshire Ebell Theatre on March 3, 2024.
Skywalker Sound Nominees:
Outstanding Achievement in Sound Editing – Broadcast Animation
Star Wars: The Bad Batch: “Faster”
Disney
Supervising Sound Editors: David W. Collins, Matthew Wood
Sound Designer: David W. Collins
Sound Effects Editors: Justin Doyle, Kevin Bolen MPSE, Kimberly Patrick
Supervising Foley Editor: Frank Rinella
Foley Artists: Kimberly Patrick, Margie O’Malley, Andrea Gard
Star Wars: Visions: “The Pit”
Disney
Supervising Sound Editor: David W. Collins
Sound Designer: David W. Collins
Sound Effects Editors: Kevin Bolen MPSE, Bill Rudolph
Dialogue Editor: David Collins
Supervising Foley Editor: Alex Wilmer
Foley Artists: John Roesch MPSE, Shelley Roden MPSE, Xiuzhu (Mimi) Guo
Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley
Andor: “Ahsoka: Part Four: Fallen Jedi”
Disney
Supervising Sound Editors: Bonnie Wild, Matthew Wood
Sound Designer: David Acord
Sound Effects Editors: Kimberly Patrick, Tim Farrell
Supervising Foley Editor: Joel Raabe
Foley Artists: Shelly Roden MPSE, Ronni Brown, Heikki Kossi MPSE
Loki: “Glorious Purpose”
Disney
Supervising Sound Editor: Bjørn Ole Schroeder
Sound Designer: David Chrastka
Sound Effects Editors: Andre Zweers, Malcolm Fife, Jamey Scott MPSE
Supervising Foley Editor: Alyssa Nevarez
Foley Editor: Dawitt Zemene MPSE
Foley Artist: Sandra Fox
Outstanding Achievement in Sound Editing – Broadcast Short Form
The Mandalorian: “The Return”
Disney
Supervising Sound Editors: Trey Turner, Matthew Wood
Sound Designer: David W. Collins
Sound Effects Editors: Luis Galdames MPSE, Kevin Bolen MPSE
ADR Editors: Brad Semenoff MPSE, Ryan Cota MPSE
Supervising Foley Editor: Frank Rinella
Foley Editors: Joel Raabe, Alyssa Neverez
Foley Artist: Shelly Roden MPSE
Outstanding Achievement in Sound Editing – Feature Animation
Elemental
Disney / Pixar
Supervising Sound Editors: Coya Elliott, Ren Klyce
Sound Designer: Ren Klyce
Sound Effects Editors: Kimberly Patrick, Jonathon Stevens, Benjamin A. Burtt, Steve Bissinger
Supervising Dialogue Editor: Rich Quinn
Dialogue Editor: Lisa Chino
Supervising Foley Editor: Dee Selby
Foley Editor: Nicholas Docter
Foley Artists: Shelley Roden MPSE, Heikki Kossi MPSE
Music Editor: Shinnosuke Miyazawa
Migration
Illumination
Supervising Sound Editors: Daniel Laurie, Josh Gold
Sound Effects Editors: Richard Gould, Luke Dunn-Gielmuda, Scott Guitteau
Dialogue Editor: Bjørn Ole Schroeder
Supervising Foley Editor: Thom Brennan
Foley Editor: E. Larry Oatfield
Foley Artists: Sean England, Andrea Gard
Music Editor: Bill Bernstein
The Super Mario Bros Movie
Universal Pictures
Supervising Sound Editor: Daniel Laurie
Sound Designers: Randy Thom MPSE, Jamey Scott MPSE
Sound Effects Editors: Leff Lefferts, Qianbaihui Yang MPSE, Scott Guitteau
Dialogue / ADR Supervisor: Jacob Riehle
Supervising Foley Editor: E. Larry Oatfield
Foley Editor: Zach Martin
Foley Artists: Ronni Brown, Jana Vance, Sean England
Outstanding Achievement in Sound Editing – Feature Effects / Foley
The Killer
Netflix
Supervising Sound Editor: Jeremy Molod
Sound Designer: Ren Klyce
Sound Effects Editors: Johnathon Stevens, Malcolm Fife
Supervising Foley Editor: Thom Brennan
Foley Editor: Dee Selby
Foley Artists: Shelley Roden MPSE, John Roesch MPSE
A full list of nominees here.
Congratulations to the Skysound Nominees for Outstanding Sound Mixing in Film and Television!
The Cinema Audio Society Awards ceremony will be held on March 2, 2024 where the outstanding contributions to the art of Sound Mixing will be honored, along with a look at the milestones in cinema audio over the past 60 years.
MOTION PICTURES – LIVE ACTION
Oppenheimer
Re-Recording Mixer: Gary A. Rizzo CAS
Ferrari
ADR Mixer: Matthew Wood
MOTION PICTURES – ANIMATED
Elemental
Re-Recording Mixer: Stephen Urata
Re-Recording Mixer: Ren Klyce
Foley Mixer: Scott Curtis
Spider-Man: Into the Spider-Verse
Re-Recording Mixer: Juan Peralta
Re-Recording Mixer: Michael Semanick
The Super Mario Brothers Movie
Re-Recording Mixer: Pete Horner
Re-Recording Mixer: Juan Peralta
Foley Mixer: Richard Duarte
Teenage Mutant Ninja Turtles: Mutant Mayhem
Re-Recording Mixer: Michael Semanick
TELEVISION SERIES: HALF HOUR
The Mandalorian S3: Ep 8 The Return
Re-Recording Mixer: Scott R. Lewis CAS
Re-Recording Mixer: Tony Villaflor
Foley Mixer: Scott Curtis
The full list of 2024 CAS nominees here.
The National Academy of Television Arts & Sciences (NATAS) has announced the winners of the 2nd Annual Children’s & Family Creative Arts Emmy® Awards which took place at the historic Westin Bonaventure Hotel in downtown Los Angeles and aired live on The Emmys® apps. I AM GROOT S1 Ep2 won in the OUTSTANDING SOUND MIXING AND SOUND EDITING FOR AN ANIMATED PROGRAM category. Congrats to the entire Sound Team, Coya Elliott, Kyrsten Mate, Tony Villaflor, Malcolm Fife, James Spencer, Nicholas Docter, Steph Allen, John Roesch, Shelley Roden, Scott Curtis, and Derek McGinley.
Read more here.